ALL TO NOTHING/NOTHING TO ALL

Detail underneath the flying buttresses. POV at the widest space where the structural components were the smallest, looking towards the narrowest end where the structural components were the largest. This "reversal" distorted the perspective of what was converging and what was diverging. Burnt wood, steel, hardware, glass shellac, dye, daylight 2000 Copyright © 2013_Beth Solin_not for use or duplication without written con